teratologies =
tales of the monstrous
We
should remember that the monstorous is only a way
of describing what lies beyond our own intellectual boundaries,
in the same way that medieval cartographers imagined monsters
to inhabit the lands beyond the known world.
-
John Tomlinson, Cultural Imperialism
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Early
cartographers used to draw monsters on their maps just beyond
the borders of the familiar territories they charted, to signal
that which was unknown or beyond their comprehension and therefore
threatening. The Balkans have always been understood as a crossroads
where Europe gives way to the Orient, a land where East and
West mix in dangerous, unfamiliar combinations. A land of the
impure, a threatening mix of europe and east, of the shadowy
and the monstrous. |
Nosferatu |
Dracula
is perhaps the most famous figure of the Balkan monstrous to
be imagined by a Western writer, an amalgam of different Balkan
ethnicites and folklore. But many have followed, from the werewolf
or vukodlak (in Balkan folklore) to Irena the Serbian immigrant/Cat
Woman from the horror classic Cat People. The West has often
turned to the Balkans in search of its shadow side, as source
material for its gothic tales, anxiously seeking to unearth
violent folklore, bloodthirsty monsters, and primitive superstitions
and horrors. |
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"The
impression that I had was that we were leaving the
West and entering the East....I read that every known superstition
in the world is gathered in the horseshoe of the Carpathians,
as if it were the center of some sort of imaginative
whirlpool."
-
Jonathan Harker's Diary, Bram Stoker's Dracula
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